- Jerry Carr (CAPCOM)
-
Roger. We'd like high bit rate. We have dumped your DSE, and we'd like to stick with high bit rate for a while.
- Jim Lovell (CMP)
-
Well, we're just about over Maskelyne B (Marsh Of Sleep) now, and our target is just directly below us.
- Frank Borman (CDR)
-
Houston, for your information, we lost radio contact at the exact second you predicted.
- Frank Borman (CDR)
-
While these other guys are looking at the moon, I want to make sure we have a good SPS. How about giving me that report when you can?
- Frank Borman (CDR)
-
We want a GO for every REV please; otherwise, we'll burn in TEI 1 at your direction.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. When you go into the dark in about 7 or 8 minutes, I have some words for you on the filters for the wide-angle lens, for your TV camera. Over.
- Bill Anders (LMP)
-
Earthshine is about as expected, Houston. Not as much detail, of course, as in the sunlight, but you can see the large craters quite distinctly, and you can see the albedo contacts quite distinctly. And, also, the—there's a good three-dimensional view of the rims of the larger craters.
- Bill Anders (LMP)
-
I think our high-speed film will be able to pick some of this stuff up quite well.
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. Roger. We recommend you use a wide-angle lens on this particular TV run. You can use a telephoto lens with the same setup as yesterday's TV show. However, we recommend a wide-angle lens. Step number 1, tape the single red filter to the red filter on the red/blue 0 filter holder; do it so that the filter slide still functions. Over.
- Jerry Carr (CAPCOM)
-
Roger. Step number 2, attach the filter holder to the lens with the tape on the top and bottom; do this with the slide forward. Over.
- Jerry Carr (CAPCOM)
-
Roger. Then at the end of your second REV TV pass, or on request from here, we would like you to remove that red filter from the holder and transmit briefly with it that way, then slide it over the blue side for your final transmission. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. Your TEI 1 and TEI 2 PAD's you received last pass are still good. Using these PAD's, your next midcourse will be less than 20 feet per second. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. We have all the SPS experts looking at your data now. The preliminary look is very good, and we will give you some final words later.
- Frank Borman (CDR)
-
Roger. We could feel the chug when we threw in BANK B, not a chug, but we could feel additional thrust.
- Bill Anders (LMP)
-
Houston, be advised on this red/blue filter technique on the TV. You cannot slide the two filters out of the way with them taped onto the TV camera; so I suggest we do red, blue, and then take them off.
- Jerry Carr (CAPCOM)
-
Roger. We concur, but make sure the little red filter is taped over the big one. Over.
- Jerry Carr (CAPCOM)
-
Bill, we'd like you to use the double red filter for the first transmission. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. If you should decide that you want to roll heads up on REV 2, one thing to remember, be sure you yaw 45 degrees right in order to maintain your high-gain antenna COMM. Over.
- Frank Borman (CDR)
-
We will not do that; we're going to stick with the flight plan, and make the best we can here.
- Frank Borman (CDR)
-
As usual, in the real world, the flight plan looks a lot fuller than it did in Florida.
- Jim Lovell (CMP)
-
Houston, Apollo 8. Just for your information, after we completed P52, I acquired the earth in the sextant. Quite a sight from here.
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. Your SPS data looks real good. It is just a matter of getting it all in from the site and getting it looked at.
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. We would like to take about 5 minutes of high bit rate. Over.
- Jerry Carr (CAPCOM)
-
Roger, Frank. Map update: REV 1/2, no change; the REV 2/3 follows: 73:04:57, 73:09:37, 73:19:01, 73:48:53, 74:24:23; remarks: Bravo 1 [03:02:16:24|74:16:24]. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. You are GO for REV 2; all systems are GO. SPS evaluation is still underway and looking good. Over.
- Jerry Carr (CAPCOM)
-
Roger, Apollo 8. We're still using the tape recorder. We will dump it in a little bit.
- Frank Borman (CDR)
-
Houston, Apollo 8. We're in the process of preparing meal 4, day—correction: day 4, meal A.
- Jerry Carr (CAPCOM)
-
Roger. Bill, they say they have already dumped the tape, and it's almost totally clean.
- Jerry Carr (CAPCOM)
-
That means you have got about 2 minutes of low bit rate on there, but the rest is clean. Over.
- Bill Anders (LMP)
-
Okay. Let me know when you're going to dump it next time, Jerry. I understand we are GO now on the DSE. Have you got any voice off of it?
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. The voice quality on your tape was just fair-to-middling; we were able to monitor your burn and hear most of that pretty well.
- Bill Anders (LMP)
-
Roger. Did you get a report of the photography accomplished, or is that on the tape at present?
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. You are 4 minutes and 40 seconds away from LOS. I would like a reconfirmation on your S-band AUX switch in the DOWN-VOICE BACKUP position. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. Reading you loud and clear. We see your TV. It is a little bit—little bit clearer.
- Bill Anders (LMP)
-
Roger. The moon is very bright and not too distinct in this area. I will give you a shot of the horizon.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. It's a good picture—the horizon—we can't see many terrain features as yet.
- Jerry Carr (CAPCOM)
-
Apollo 8, Houston. We are beginning to pick up a few craters very dimly; the whole thing is pretty bright.
- Bill Anders (LMP)
-
Roger. There is not much definition up here either out on the horizon. We are now approaching the craters See and Bassett.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. We are going to need a cryo fan cycle sometime during this pass.
- Bill Anders (LMP)
-
The color of the moon looks like a very whitish gray, like dirty beach sand with lots of footprints in it.
- Jim Lovell (CMP)
-
Some of these craters look like pickaxes striking concrete leaving a lot of fine haze dust.
- Bill Anders (LMP)
-
There's some interesting features out on the other window. Let me switch windows on you now.
- Jerry Carr (CAPCOM)
-
Roger, Bill. If you have the polarizing filter handy, try flipping it in front, would you?
- Jim Lovell (CMP)
-
Jerry, as a matter of interest, there's a lot of what appears to be very small new craters that have these little white rays radiating from them.
- Jerry Carr (CAPCOM)
-
Roger. We see the filter going over it. Apollo 8, this is Houston. Looks like we have too much light. The polarizing filter doesn't help much. Go ahead and remove it again.
- Bill Anders (LMP)
-
Roger. We're just passing over the crater Borman, and there's Anders out there; Lovell is right south of it.
- Jerry Carr (CAPCOM)
-
Roger. The TV is breaking up now. Okay. We are back with a good picture. Looks like we just have too much light. Our definition is rather weak.
- Bill Anders (LMP)
-
Alright. The right side of the camera is pointing retrograde. We are now passing abeam of the crater Houston; I will show the camera over there once for the folks in Texas.
- Bill Anders (LMP)
-
It's a big and sprawly one; it's got those two impact craters, one to the right and one to the left.
- Jerry Carr (CAPCOM)
-
Still about the same, Bill. It's—the terrain's pretty bright. We are not getting much definition at all; definition on this side is much much better.
- Bill Anders (LMP)
-
Okay. I think—Okay. We are leaving the window; that gives you an idea how bad our window is.
- Jerry Carr (CAPCOM)
-
Roger. This picture now is much better; I guess the light levels are decreasing now.
- Jim Lovell (CMP)
-
Jerry, another ID feature: these small impact craters have dark spots in the center where it appears that they buried in it and hit some new material down below and scattered a lot of fine white dust around them.
- Bill Anders (LMP)
-
Roger. The terrain here is, as you can see, not well defined. We are going to start a roll to the left, in order to come across the target area, with the television —
- Jerry Carr (CAPCOM)
-
Roger, Bill. We see O'Neal real well, also the smaller crater off to the side of it.
- Frank Borman (CDR)
-
Houston, this is Apollo 8. We are going to terminate our program for this pass and get on with the preparations for LOI 2, if you say we are GO.
- Jerry Carr (CAPCOM)
-
Roger. Apollo 8, on your backside data, it's pretty much unintelligible. We suggest, Bill, that you recheck the position of your mike for your backside pass and try to speak a little bit louder and more distinctly. The last one we listened to, was pretty much unintelligible. Over.
- Bill Anders (LMP)
-
Roger. As soon as we get squared away, we will give you a real quick real time summary.
- Jerry Carr (CAPCOM)
-
Roger.
Expand selection down Contract selection up - Bill Anders (LMP)
-
And, Houston, you might let us know, can we do the red/blue filter exercise with both these filters—red filters on? Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. LOI 2, SPS/G&N: 46427, minus 053, plus 141 073:35:05.70 minus 01350, plus all zeros, plus all zeros. Copy?
- Jerry Carr (CAPCOM)
-
Roger. Taurus, Aida; I repeat, Taurus, Aida. Up 162, left 01, the remainder not applicable. GDC align Sirius, Rigel 129, 155, 010, negative ullage, horizon window ignition minus 3 27 degrees, horizon left. At ignition, 18 degrees, horizon left; before readback, configure for receiving any update. Over.
- Frank Borman (CDR)
-
LOI 2, SPS/G&N: 46427, minus 053, plus 141 073:35:05.70, minus 01350, plus 0000, plus 0000 000 175 358 00607, plus 00606 01350 009 01265 02 3112 197; Taurus, Aida, up 16.2, left 0.1, fixed read not applicable; Sirius, Rigel 129 155 010, no ullage, ignition minus 3 27 degrees, ignition 18 degrees.
- Jerry Carr (CAPCOM)
-
Roger, Frank. You can expect GO/NO-GO for the next rev at 20 minutes before LOS. Over.
- Jerry Carr (CAPCOM)
-
Apollo 8, this is Houston. We'll try to make that call 20 minutes before every LOS. Over.
- Jim Lovell (CMP)
-
Roger. Just an interesting feature: on my center window which has ice on it, it is now beginning to melt. I'm beginning to see through it.
- Jim Lovell (CMP)
-
The view at this altitude, Houston, is tremendous. There is no trouble picking out features that we learned on the map.
- Jerry Carr (CAPCOM)
-
Roger. Jim, that's good news. What do you think of the lighting situation as far as the range of lighting for good visibility?
- Jim Lovell (CMP)
-
The range from here is outstanding. I wish we had the TV still going because the brown area now is darker. We have just passed over the Sea of Fertility, and the mare is darker. The mountain range has got more contrast, has more contrast because of the sun angle. Bill's got the 16 mm going for us.
Spoken on Dec. 24, 1968, 11:08 a.m. UTC (55 years, 10 months ago). Link to this transcript range is: Tweet